Intermediate & Standard Model Flutes
|Toneholes||Key Types||Key Systems||Split E Mechanism||Material||Case||Case Bag|
|YFL-482*||Drawn and Curled||Ring Keys||In-line||-||Sterling Silver & Nickel Silver||FLC-200C||FLB-400EII|
|YFL-282||Ring Keys||In-line||-||Nickel Silver|
- * Some models are available with a B footjoint. Please add H to the model number. They come with a case (FLC-48II) and a case bag (400 Models: FLB-400EHII, 300 Models: FLB-48II).
- * Some models are available with a gold-plated lip plate. Please add GL to the model number.
- * Some 200 Models are available with a silver lip plate. Please add SL to the model number.
- * YFL-212 is available with a curved headjoint. Please add U to the model number. It comes with a case (FLC-220) and a case bag (FLB-200UEII).
- * These special models are not available in some regions. Please contact to dealer for more information.
Material Combination for Intermediate & Student Flutes
Drawn and Curled
Walls are drawn upward from the body material, giving the flute a broad, light sound.
Covered (or Plateau) keys are easy to use. The pad cup is covered so it will seal the tonehole any time the key is closed. This is common with beginners or others who may not always press the center of the key.
Many advanced players prefer the open feel of Ring keys for subtle control of their tone. Intermediate and Standard model French system flutes come with key plugs to seal the hole until players have become adept at covering the holes with their fingers.
Ring (French) Keys
Many players find the Offset G configuration easier to play. Often teachers recommend that beginners start on these flutes, while more and more advanced players are also choosing this natural feeling configuration. Many advanced students and professionals, though, still prefer the traditional In-line formation where all the toneholes are in a straight row.
Split E Mechanism
This key helps give more stability and better centered intonation to the high E.
The B footjoint has an extra key enabling the player to play 1/2 step lower than the lowest note of the C foot. It also affects the sound; B footjoint enables a darker, stronger sound with good projection, while C footjoint has flexible, warmer tone.