The hammered bowls in this series feature a squarer “cambered” profile than conventional bowl designs. The most obvious benefits are ample volume, ideal timpani decay, and significantly improved mallet response. The most desirable qualities of copper are emphasized, with carefully thought out and proven refinements to bowl size, bearing edge shape (the edge that contacts the timpani head), the diameter of the aperture in the bottom of the bowl, and more. The overall result is rich, deep tone with superior playability.
Left: Cambered bowl, Right: Parabolic bowl
Specially designed hammering machines faithfully simulate the hand hammering process while eliminating the unavoidable inconsistencies of handwork. The goal was not only to improve efficiency, but more importantly to recreate the technique of master craftsmen. The result is bowls that exude hand-made warmth.
The height of all casters can be adjusted over a 25mm range, allowing precise adjustments to the instrument height as well as head angle. The instruments can be ideally positioned for standing or seated playing, on any stage. Adjustment is carried out using the supplied tuning key or an appropriate allen wrench, and can be easily accomplished by one person.
*The picture shows TP-7300R Series.
The main casters include a one-touch lock mechanism that contributes to fast, sure setup. In addition to the main caster lock mechanism an auxiliary brake has been added to the pedal caster. The player can engage the auxiliary brake to securely lock the caster and prevent movement of the instrument.
Left: Main caster lock, Right: Pedal caster auxiliary brake
The bowl is seated in a “Floating Mount” suspension ring and does not contact any other part of the instrument. This prevents distortion of the bowl and allows unrestricted head oscillation for superior tone, resonance, and pitch clarity. This frame design brings out the full musical potential of the bowl.
*The picture shows TP-4300R Series.